AMINTA E FILLIDE Georg Friedrich Haendel
La RisonanzaFabio Bonizzoni
La RisonanzaFabio Bonizzoni, direction
Maria Grazia Schiavo, soprano Nuria Rial, soprano Carlo Lazzaroni & Elin Gabrielsson, solo violins Barbara Altobello, Elena Telò, Silvia Colli, Giacomo Trevisani, violins Gianni de Rosa, viola Caterina dell’Agnello, cello Davide Nava, double bass Fabio Bonizzoni, harpsichord
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GEORG FRIEDRICH HAENDEL (1685-1759)
Aminta e FillideLe Cantate Italiane di Handel IV Rome, 1707-1708
1-22 Aminta e Fillide (Arresta il passo) [HWV 83] 23-30 Clori, mia bella Cloria [HWV 92]
About this CD
Two new voices join Fabio Bonizzoni's project of recording the entirety of the cantatas with instrumental accompaniment which Handel composed when in Italy: sopranos Nuria Rial and Maria Grazia Schiavo enter the compan of Roberta Invernizzi, Emanuela Galli, Raffaella Milanesi and Salvo Vitale, the singers who we have been able to hear in the first three volumes of the collection. In this fourth instalment (out of a total of seven CDs planned for release up to the end of 2009), we rediscover the patronage of the Marquis Francesco Maria Ruspoli, which lay behind the important cantata a due entitled Aminta e Fillide; this was a work which was to provide the composer with a veritable seam of musical material for use, as "borrowings", in his operas Agrippina and Rinaldo - one of the reasons perhaps why this cantata has been rarely performed and even less recorded.
Both Aminta e Fillide and the extensive cantata for soprano, Clori, mia bella Clori, which rounds off this new disc, had their origins in the special environment of the Accademia degli Arcadi, that literary society founded by a group of aristocrats, cardinals, poets, thinkers and composers in 1690, which used to hold its meetings in idyllic spots around Rome. Karl Böhmer's informed notes contained in the CD booklet suggest a number of stimulating points of view about the meaning and significance of these works for the Arcadians.
Fabio Bonizzoni’s attention on record to the music of Handel - which has, thus far, yielded seven discs devoted to the early Italian-texted cantatas - has just now had the good fortune to receive this year’s Stanley Sadie Handel Recording Prize for Apollo e Dafne, the final release in the present series for Glossa. This is the third time that Bonizzoni and his period-instrument ensemble La Risonanza have won this prestigious prize for their series of “Le Cantate Italiane di Handel” (previous winners were the first release, Le Cantate per il Cardinal Pamphili and the fifth, Clori, Tirsi e Fileno); three other recordings have also featured as runners-up. [read more...]