Graindelavoix is much less an early music ensemble and much more an art collective experimenting between the fields of performance and creation, comprising singers and instrumentalists led by Björn Schmelzer. Taking its name from an essay by Roland Barthes (“le grain, c’est le corps dans la voix qui chante, dans la main qui écrit, dans le membre qui exécute...”), where Barthes was looking for what constitutes the gritty essence of a voice, Graindelavoix experiments with what one does with the “grain”, the physical and spiritual reflection of the voice.
Formed in 1999 by Schmelzer and based in Antwerp in Belgium, the collective works with material as diverse as Ockeghem’s polyphony, the plainte, machicotage, Mediterranean practices, late scholastic dynamics and kinematics, the affective body, gesture and image culture... What is preoccupying Graindelavoix in early music is the bond between notation and what eludes it: the higher consciousness and savoir-faire that the performer brings to a piece (ornamentation, improvisation, gestures...). Schmelzer works with singers and instrumentalists who embrace diversity, heterogeneity, ornamentation and improvisation in their music-making. In many ways, an ethno-musicological approach to early music.
Graindelavoix is a “special guest” at the Muziekcentrum De Bijloke in Ghent and has an artistic partnership with the Cultuurcentrum in the further Belgian city of Genk.
In Poissance d’amours Schmelzer – an ethnomusicologist by training – explores the music and writings of mystics, monks and minstrels active in 13th century Brabant for Glossa. This release and the recordings of music composed by Johannes Ockeghem (Caput) and Gilles Binchois (Joye) are allied to performances – in concert and music theatre formats – that are the accumulated fragments of a wider work and research process. Graindelavoix is offering a challenging new insight into the performances of music from the past.
In what is set to be a career-defining opportunity for Graindelavoix, Glossa’s Antwerp-based ensemble, along with its director Björn Schmelzer, is joining forces with choreographer Anne Teresa de Keersmaeker and her company Rosas for a new music and dance production Cesena which will have its world première performance at this year’s Festival d’Avignon in France. On July 16 the medieval Cour d’honneur of the Palais des Papes – the meeting point of the Old and New Papal Palaces – will provide the setting at the time of 4.30am for an interpretation in sound and movement of the rhythmically and harmonically complex 14th century musical repertory known as the Ars subtilior (strongly associated with the Papal Court in Avignon). [read more...]
With only their third CD Björn Schmelzer and Graindelavoix have just secured two of the awards at this year’s Klara-Muziekprijzen ceremony, held at the start of November in the group’s native Belgium.
Poissance d’amours – released by Glossa – was selected by the awards jury of the classical music radio station Klara for the best Flemish production of the year and also by the station’s listeners for the Public prize for 2008.[read more...]