Title & Reference

DOMENICO SCARLATTI
The last sonatas
GCD P315
07

Performer

FABIO BONIZZONI, harpsichord

Production details

Total playing time: 74’33

Recorded in Utrecht (Maria Minor), Holland,
in June 2003
Engineered by Adriaan Verstijnen
Produced by Tini Mathot
Executive producer: Carlos Céster

Art direction by 00:03:00 oficina tresminutos


Booklet essay


Booklet texts by Fabio Bonizzoni and
Stefano Russomanno
Spanish, English, French, German


Bar code

8 424562 31507 5

Domenico Scarlatti (1685-1757)

01 Sonata in si b maggiore K 550
02 Sonata is si b maggiore K 551
03 Sonata in sol minore K 546
04 Sonata in sol maggiore K 547
05 Sonata in mi b maggiore K 507
06 Sonata in mi b maggiore K 508
07 Sonata in fa maggiore K 540
08 Sonata in fa maggiore K 541
09 Sonata in re minore K 552
10 Sonata in re minore K 553
11 Sonata in fa maggiore K 542
12 Sonata in fa maggiore K 543
13 Sonata in si b maggiore K 545
14 Sonata in si b maggiore K 546
15 Sonata in si minore K 87

Complete CD Booklet
PDF (106K)

Release Sheet
PDF (105K)

Generally, the CDs dedicated to Domenico Scarlatti’s harpsichord sonatas are made to include the widest possible sampling of different aspects of the composer’s work, from the youthful pieces, full of vitality, to the mature compositions which give priority to melodic qualities, by way of the works which feature daredevil virtuosity. This is not the case here. After years of preparing his incursion into the world of Scarlatti, the exquisite Fabio Bonizzoni concentrates on the late works of the composer, in the belief that it is there that the real masterpieces are to be found. Extremely beautiful, profound, deeply felt and introspective music on a disc which clearly stands out in every respect.

We have decided to include this recording in the new Glossa Platinum collection because of the aesthetic affinities between Scarlatti’s production and our contemporary world, some of which are mentioned in the excellent essay written by Stefano Russomanno for the liner notes.

Moreover, this CD sees the light in the context of a new phase of Bonizzoni’s work for Glossa, following years of bringing to the fore unjustly forgotten music from the Italian Baroque repertory. This year will not only witness the release of this marvellous jewel of Scarlatti’s, but will also mark the beginning of an ambitious exploration of the world of Bach, in a solo setting as well as with La Risonanza.