About La Venexiana

The name La Venexiana is taken from an anonymous Renaissance comedy, one of the cardinal points of reference in Italian theatre both for its use of language, a combination of Italian and dialect, and for its acute rendering of a society and its manners. In styling itself after this glorious tradition, La Venexiana aims to incorporate into its musical interpretations an attention to language in all of its subtlety, and an exultation of contrasts between the refined and the popular, the sacred and the profane. This ensemble has established a new style in Italian early music performance: a warm, truly Mediterranean blend of textual declamation, rhetorical colour and harmonic refinement.
Born of the collaboration between soprano Rossana Bertini and countertenor Claudio Cavina, its current musical director, La Venexiana makes a careful use of the original sources, keeping the activity of the ensemble always stimulating and full of enjoyable surprises.

Since 1998, La Venexiana records exclusively for Glossa. After seven years with the label, the musical press is unanimous in considering La Venexiana as the world’s leading specialists in Italian Madrigal. A fact amply demonstrated by the amount of international awards that the group has amassed in this short period.